Margot and Bill Winspear Opera House by Foster + Partners 2010-02-19
Table Of Content
To date, Conlon has conducted more than 500 international performances of Verdi’s repertoire. Conlon closes his LA Opera season honoring the 100th anniversary of Puccini’s death, conducting Turandot, Puccini’s final opera composed in 1924. His most recent engagements elsewhere include singing Remendado in Carmen at Santa Fe Opera, Ernesto in Don Pasquale at New England Conservatory and being on tour performing the roles of Giove and Amphinome in Monteverdi’s Il ritorno d’Ulisse in patria with the ensemble I Gemelli.
Margot and Bill Winspear Opera House by Foster + Partners
The Skyline Terrace features views of downtown and Uptown, with reception or dining space. For out-of-town visitors to The Dallas Opera, there are a variety of hotels near the Winspear Opera House, where our performances are held. Spend the night or weekend in the Dallas Arts District to be close to the show and enjoy the vibrant downtown neighborhood full of museums, parks, restaurants, and bars. The Margot and Bill Winspear Opera House is an opera house (one of four venues in the AT&T Performing Arts Center) located in the Arts District of downtown Dallas, Texas (USA).
Upcoming Events
World premiere of “The Diving Bell and the Butterfly” unfolds a powerful tale of fate - EarRelevant
World premiere of “The Diving Bell and the Butterfly” unfolds a powerful tale of fate.
Posted: Mon, 06 Nov 2023 08:00:00 GMT [source]
The Dallas Opera performs at the Margot and Bill Winspear Opera House, located in the heart of the Dallas Arts District just steps from downtown Dallas and the Uptown neighborhood. The AT&T Performing Arts Center’s mission is to provide a public gathering place that strengthens community and fosters creativity through the presentation of performing arts and arts education programs. The Annette and Harold Simmons Signature Glass Façade wraps around the building, creating a transparency between the opera house and the surrounding Performance Park. An 84-foot (26 m) wide section of the glass façade is retractable to a height of 23 feet (7.0 m), literally opening up the Grand Lobby, Cafe and Box Circle-level Restaurant to Performance Park.
Orchestra
The venue is a 21st-century reinterpretation of the traditional “horseshoe” shaped opera house, engineered specifically for opera and musical theatre, with stages equipped for ballet and other types of dance. The Winspear is designed by Foster + Partners under Pritzker prize-winning architect Norman Foster and Deputy Chairman Spencer de Grey. Theater work includes Frankenstein (Olivier and Knight of Illumination awards); Miss Saigon, From Here to Eternity (West End); and productions for the National Theatre, RSC, Old Vic, Royal Court and Barbican. He won a second Knight of Illumination Award for his design of Sigur Ros’ world tour and also designed their 2016 world tour.
But for those who heard Foster’s garbled comments on opening night, some fine-tuning is still needed when amplification is used. This acoustically sound recital hall, ideal for intimate performances of music and dance for audiences of up to 200, features built-in sound and projection systems. The beautifully appointed Hamon Hall, with an entrance from inside the Winspear Opera House and a separate entrance from Sammons Park, allows the ability to host concurrent performances within the Winspear Opera House. But don’t think that opera is the only thing to see at The Winspear, as it has also played host to music shows, dance, touring Broadway acts, concerts, and lectures to name a few. Winspear’s classical design is well-loved by theatergoers and production companies alike.
Design features
The Margot and Bill Winspear Opera House welcomes audiences to enjoy world-class performances in a stunning facility without having to travel far from home. Truly a jewel in the Dallas landscape and a striking testament to excellence in design, the Winspear is home to bucket-list moments for patrons of all kinds. As Cavaradossi is brought in and questioned, the voice of Tosca, singing a celebratory cantata in another room in the Palace, can be heard. Tosca arrives, just in time to see her lover taken to an antechamber to be tortured. Tosca is told by Scarpia that she can save her lover from indescribable pain if she reveals Angelotti’s hiding place.
Additional highlights include an ECHO Klassik Award-winning recording cycle of operas and orchestral works by Alexander Zemlinsky; a CD/DVD release of works by Viktor Ullmann, which won the Preis der deutschen Schallplattenkritik; and the world-premiere recording of Liszt’s oratorio St. Stanislaus. The Winspear Opera House is described as a "21st-century reinterpretation of the traditional 'horseshoe' opera house" in a Dallas Center for the Performing Arts press release. The 2,000-seat auditorium will host The Dallas Opera, Texas Ballet Theater, touring Broadway productions and other performances. Reversing the traditional color scheme for opera houses, Foster put red on the outside, not the inside, of the hall, making it the district’s most prominent constituent.
The Bride of Frankenstein with Live Orchestra
Internationally recognized as one of today’s most versatile and respected conductors, James Conlon has cultivated a vast symphonic, operatic and choral repertoire. Since his 1974 debut with the New York Philharmonic, he has conducted virtually every major American and European symphony orchestra, and at many of the world’s leading opera houses including the Metropolitan Opera. Through worldwide touring, an extensive discography and filmography, numerous writings, television appearances, and guest speaking engagements, Conlon is one of classical music’s most recognized and prolific figures. He has conducted over 270 performances at the Metropolitan Opera since his 1976 debut.
The venue has grown popular over the years with several sold-out shows every season, and many patrons becoming regular season ticket holders because The Winspear has become their number one choice for entertainment. Last season he joined the Metropolitan Opera in productions of The Magic Flute and Boris Godunov, bowed as the King of Egypt in Aida for LA Opera and Cincinnati Opera, and appeared with his home company, Houston Grand Opera, as Timur in Turandot conducted by Principal Guest Conductor Eun Sun Kim. The bass’s concert scheduled included performances of Beethoven’s Symphony No. 9 with Rafael Payare and the San Diego Symphony and with Michael Stern leading the Kansas City Symphony Orchestra. The Margot and Bill Winspear Opera House at the AT&T Performing Arts Center is a 21st century reinterpretation of the traditional “horseshoe” shaped opera house, engineered specifically for performance of opera and musical theatre, with stages equipped for the performance of ballet and other types of dance. Conlon opens his 18th season at LA Opera conducting Mozart’s Don Giovanni directed by Kasper Holten. He also conducts Verdi’s La Traviata—the first opera he led as Music Director of LA Opera—continuing his multi-season focus on the works of the great Italian composer.
Peixin Chen has sung Sparafucile in Rigoletto at Santa Fe Opera and the Lyric Opera of Kansas City, Sarastro in The Magic Flute with Opera Philadelphia, Dulcamara in L’Elisir d’Amore at Washington National Opera, and the Patriarch of Moscow in Dvořák’s Dmitrij at the Bard Music Festival in a new production directed by Anne Bogart. With Houston Grand Opera, he has bowed as Doctor Bartolo in The Barber of Seville, Oroveso in Norma, the King of Egypt in Aida, Ferrando in Il Trovatore, Sarastro in The Magic Flute, and as Hunding in Die Walküre. As a member of the Merola Program under the auspices of San Francisco Opera, he appeared as Basilio in performances of The Barber of Seville. Recent honors include receiving a Career Development Grant from the Sullivan Foundation. Other accolades include being named “Best up-and-comer” in the Inland Empire Magazine’s “Best of the Best 2019” list and being awarded the Wendy Shattuck ‘75 Presidential Scholarship for Vocal Studies among other prestigious awards. Her numerous engagements also led her to the Deutsche Oper Berlin and the Semperoper Dresden.
Additional notable roles in her repertoire include Donna Anna in Don Giovanni, Tatyana in Eugene Onegin, the First Lady in The Magic Flute, the Countess in The Marriage of Figaro, Brenda in Rene Orth's Empty the House, Magda in La Rondine, and the Female Chorus in The Rape of Lucretia. Engagements for the summer of 2023 included Ravel's L’Enfant et les sortilèges with the Salzburg Festival’s Young Singers Project and performances at the Aix-en-Provence Festival. Additional credits include the Israeli Symphony Orchestra, California Philharmonic, Capitol Records, Abbey Road Studios and the soundtrack of the film Rolled. Known for his versatility, Craig Colclough has appeared as Peter Vogel in Korngold's Der Ring des Polykrates with the Dallas Opera; Hare in the world premiere of Burke and Hare with Boston Lyric Opera; Pistola in Falstaff with the Royal Opera House, Covent Garden; and Doristo in L’arbore di Diana with Minnesota Opera. We're looking for people like you to share your thoughts and insights with our readers. Team BroadwayWorld members get access to shows to review, conduct interviews with artists, and the opportunity to meet and network with fellow theatre lovers and arts workers.
Your before-the-show experience has never been more delicious with brand new dining options at the Winspear Opera House! The Skyline Terrace offers guests an upscale buffet featuring chef-prepared, seasonal menus. Elevate your dining experience with the Grand Tier Prix Fixe Dinner where guests will enjoy an elegant, 4-course plated meal with sweeping views of the Dallas Arts District. The Winspear Opera House includes the Nancy Hamon Education and Recital Hall, a space that can be used for smaller performances seating audiences up to 200, as well as classes, rehearsals, meetings and events. Designed as a 21st-century reinterpretation of the traditional opera house, the Winspear seats 2,200 (with a capacity of 2,300) in a traditional horseshoe configuration.
Comments
Post a Comment